To Build a Fire & An Occurrence at Owl Creek Bridge: “Just representation of general nature”
By Jack London, read by Betsie Bush (LibriVox) [Public domain], via Wikimedia Commons
To Build a Fire by Jack London is a perfect example of what Samuel Johnson (1938) referred to as a “just representation of general nature”. The story showed tackled about man’s free will; or in this case the lack of it. The short story showed that man before hand has no power over what fate decided of him. In some way London presented that nature will take its natural course and man, a mere man, has no role in it. This is in some way universally true and has been the object of much scholarly debate over the ages. In the short story this was proven in the lines, “The cold of space smote the unprotected tip of the planet, and he, being on that unprotected tip, received the full force of the blow. The blood of his body recoiled before it. The blood was alive, like the dog, and like the dog it wanted to hide away and cover itself up from the fearful cold. So long as he walked four miles an hour, he pumped that blood, willy-nilly, to the surface; but now it ebbed away and sank down into the recesses of his body. The extremities were the first to feel its absence. His wet feet froze the faster, and his exposed fingers numbed the faster, though they had not yet begun to freeze. Nose and cheeks were already freezing, while the skin of all his body chilled as it lost its blood (London, 1908).”
To Build a Fire by Jack London is a perfect example of what Samuel Johnson (1938) referred to as a “just representation of general nature”. The story showed tackled about man’s free will; or in this case the lack of it. The short story showed that man before hand has no power over what fate decided of him. In some way London presented that nature will take its natural course and man, a mere man, has no role in it. This is in some way universally true and has been the object of much scholarly debate over the ages. In the short story this was proven in the lines, “The cold of space smote the unprotected tip of the planet, and he, being on that unprotected tip, received the full force of the blow. The blood of his body recoiled before it. The blood was alive, like the dog, and like the dog it wanted to hide away and cover itself up from the fearful cold. So long as he walked four miles an hour, he pumped that blood, willy-nilly, to the surface; but now it ebbed away and sank down into the recesses of his body. The extremities were the first to feel its absence. His wet feet froze the faster, and his exposed fingers numbed the faster, though they had not yet begun to freeze. Nose and cheeks were already freezing, while the skin of all his body chilled as it lost its blood (London, 1908).”
On the other
hand the man’s second accident can be considered as contradictory to what London had in the
beginning tried to imply. In the first part he demonstrated that man has no
control over his fate. Her in the second part it was written, “But before he
could cut the strings, it happened. It was his own fault or, rather, his
mistake. He should not have built the fire under the spruce tree. He should
have built it in the open. But it had been easier to pull the twigs from the brush
and drop them directly on the fire. Now the tree under which he had done this
carried a weight of snow on its boughs. No wind had blown for weeks, and each
bough was fully freighted. Each time he had pulled a twig he had communicated a
slight agitation to the tree--an imperceptible agitation, so far as he was
concerned, but an agitation sufficient to bring about the disaster. High up in
the tree one bough capsized its load of snow. This fell on the boughs beneath,
capsizing them. This process continued, spreading out and involving the whole
tree. It grew like an avalanche, and it descended without warning upon the man
and the fire, and the fire was blotted out! (London, 1908)” This would seem like a
contradictory since the “avalanche” was caused by the man himself. He even said
that it was his own fault. But on deeper evaluation, this merely reinforces the
first contention of London
that since man has no power over nature he should take responsibility over his
actions in order to anticipate the potential dangers he might find himself in.
The world is
based on a causal link, meaning each event is caused by the previous event.
When the man built the fire he set the motion of the avalanche. He is
responsible therefore for his own accident since he was not able to foresee
what the result of that action would be. Here London demonstrated man’s inability to
overcome his own limitations; restating again Johnson’s “just representation of
general nature”. In conclusion, To Build
a Fire is about man over fate and man against himself which is a universal
theme that transcends the limits of time and place.
By English: Ambrose Bierce, read by szparker (LibriVox) [Public domain or Public domain], via Wikimedia Commons
By English: Ambrose Bierce, read by szparker (LibriVox) [Public domain or Public domain], via Wikimedia Commons
On the other
hand the short story, “An Occurrence at Owl Creek Bridge" by Ambrose Bierce
demonstrates the least “just representation of general nature”. The following lines
though quite significant in remembering American history, does not in anyway
generally captures the sympathy of every modern man, “Peyton Fahrquhar was a
well to do planter, of an old and highly respected Alabama family. Being
a slave owner and like other slave owners a politician, he was naturally an
original secessionist and ardently devoted to the Southern cause. Circumstances of an imperious nature, which it is unnecessary to relate here,
had prevented him from taking service with that gallant army which had fought
the disastrous campaigns ending with the fall of Corinth, and he chafed under
the inglorious restraint, longing for the release of his energies, the larger
life of the soldier, the opportunity for distinction. That opportunity,
he felt, would come, as it comes to all in wartime. Meanwhile he did what
he could. No service was too humble for him to perform in the aid of the
South, no adventure to perilous for him to undertake if consistent with the
character of a civilian who was at heart a soldier, and who in good faith and
without too much qualification assented to at least a part of the frankly villainous dictum that all is fair in love and
war” (Bierce, 1891). These lines or characterization is not something every
generation can relate to. Moreover the setting is quite limiting in a sense
that those who have not experienced slavery the way America did cannot actually feel
Bierce’s accurate depictions of the sentiments of the people at that time in
history.
The lines, “The
lady had now brought the water, which the soldier drank. He thanked
her ceremoniously, bowed to her husband and rode away. An hour later,
after nightfall, he repassed the plantation, going northward in the direction
from which he had come. He was a Federal scout”
(Bierce, 1891) where Fahrquhar was deceived by others and decided to take
matters into his own hands were not given good justification if taken on its
face value. To clarify this means that taken out of the context of loyalty to
the Confederate, the action of Fahrquhar would seem ridiculous, if not outright
outrageous. And this is actually where the present reader is. It is hard for
the present generation to actually feel that Fagrquhar had a reason to be
tricked into demolishing the bridge. Years from now the readers of this short
story would find it difficult to understand without first having a background
of the history of the American Civil War. The strength of the story lies in its
twist in the end. Bierce achieved a great literary work in the “An Occurrence
at Old Creek Bridge
but it lacked the strength of Johnson’s “just representation of general nature”
and therefore making it limited in time and place. The story would seem
superfluous to the men centuries ago and to the men of the next centuries hence.
References
Bierce, Ambrose. 1891. An Occurrence at Owl Creek Bridge.
Retrieved 10 September 2007 from
http://extend.unb.ca/wss/1145demo/owl2.htm
Johnson, Samuel. 1938. “Preface to Shakespeare” Prefaces and
Prologues to Famous Books, ed.
Charles W. Eliot. New York: P.F. Collier & Son. p 208-250.
London, Jack. 1908. To Build A
Fire.
Retrieved 10 September 2007 from
http://www.jacklondons.net/buildafire.html
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